The true story that impressed the movie Woman in Gold starring Helen Mirren and Ryan Reynolds
Library Journal Best 10 Book of 2012
Christian Science Monitor Best Nonfiction of 2012
Huffington Post Perfect Art Books of 2012
Best 12 Nonfiction 2012 of Examiner.com
The spellbinding story, section fairy tale, section suspense, of Gustav Klimt’s Portrait of Adele Bloch-Bauer, one of the vital emblematic portraits of its time; of the pretty, seductive Viennese Jewish salon hostess who sat for it; the notorious artist who painted it; the now vanished flip-of-the-century Vienna that formed it; and the abnormal twisted fate that befell it.
The Girl in Gold, regarded as an unforgettable masterpiece, one of the crucial 20th century’s so much recognizable paintings, made headlines everywhere the arena when Ronald Lauder bought it for $one hundred thirty five million a century after Klimt, essentially the most famous Austrian painter of his time, completed the society portrait.
Anne-Marie O’Connor, creator for The Washington Post, formerly of the Los Angeles Times, tells the galvanizing story of the Girl in Gold, Adele Bloch-Bauer, a blinding Viennese Jewish society determine; daughter of the pinnacle of one of the crucial largest banks within the Hapsburg Empire, head of the Oriental Railway, whose Orient Specific went from Berlin to Constantinople; wife of Ferdinand Bauer, sugar-beet baron.
The Bloch-Bauers were art buyers, and Adele herself used to be regarded as a revolt of fin de siècle Vienna (she sought after to be educated, a notion regarded as “degenerate” in a society that believed ladies being out on this planet went against their female “nature”). The creator describes how Adele impressed the portrait and the way Klimt made greater than 100 sketches of her–easy pencil drawings on skinny manila paper.
And O’Connor writes of Klimt himself, son of a failed gold engraver, shunned by arts bureaucrats, known as an inventive heretic in his time, a genius in ours.
She writes of the Nazis confiscating the portrait of Adele from the Bloch-Bauers’ grand palais; of the Austrian executive placing the painting on show, stripping Adele’s Jewish surname from it in order that no clues to her identity (nor any hint of her Jewish origins) can be found out. Nazi officers known as the painting, The Girl in Gold and proudly exhibited it in Vienna’s Baroque Belvedere Palace, consecrated within the Nineteen Thirties as a Nazi establishment.
The creator writes of the painting, impressed by the Byzantine mosaics Klimt had studied in Italy, with their exotic symbols and swirls, the topic an idol in a golden shrine.
We see how, sixty years after it used to be stolen by the Nazis, the Portrait of Adele Bloch-Bauer turned into the topic of a decade-long litigation between the Austrian executive and the Bloch-Bauer heirs, how and why the U.S. Supreme Court turned into concerned within the case, and the way the Court’s decision had profound ramifications within the art global.
A riveting social history; an illuminating and haunting take a look at flip-of-the-century Vienna; an excellent portrait of the evolution of a painter; a masterfully told tale of suspense. And on the heart of it, the Girl in Gold–the shimmering painting, and its similarly impossible to resist subject, the fate of each and every without end intertwined.
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